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      EESTI KONTSERT SA

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      Projekti lühikirjeldus: Hanke objektiks on Pärnu kontserdimaja aadressidel Pärnu Aida 4 koristamine ja puhastamine. Koristatavat pinda on 5464 ruutmeetrit. Kori

      EESTI KONTSERT SA: Hankekutse „Pärnu kontserdimaja koristus- ja puhastusteenuse hange perioodiks 1 september 2025 kuni 31 august 2028“

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      Andmerobot
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      Projekti lühikirjeldus: Hanke objektiks on Pärnu kontserdimaja aadressidel Pärnu Aida 4 koristamine ja puhastamine. Koristatavat pinda on 5464 ruutmeetrit. Koristusaega ei saa käsitleda regulaarse koristussagedusena vaid koristusaeg tuleb kooskõlastada iga kuu vastavalt Pärnu kontserdimaja töögraafikule. Hoonetes töötab ligikaudu 50 inimest päeval ja õhtul 300 õpilast muusikakoolis ning käib õhtul kuni 1200 inimest kontsertil, hoonet aadressiga Pärnu Aida 4 külastab aastas suurusjärgus 60 000 külastajat.
      Valdkond: Puhastusteenused

      Eeldatav maksumus: PUUDUB

      Projekti tellija: EESTI KONTSERT SA
      Vastutav isik: Kertu Orro
      Tüüp: A
      Hanke väljakuulutamise kuupäev: 23.05.2025

      Pakkumiste esitamise tähtpäev: 20.06.2025 kell 12.00
      Projekti täitmise kuupäevade vahemik: 31.08.2025 - 31.08.2028

      Kontaktisik: Kertu Orro


      Täpsemat teavet on võimalik saada aadressil:

      https://riigihanked.riik.ee/rhr-web/#/procurement/8885244/general-info

      Pakkumused või osalemistaotlused saata:

      https://riigihanked.riik.ee/rhr-web/#/procurement/8885244/tenders

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      EESTI KONTSERT SA / Andmerobot

      EESTI KONTSERT SA's activity report 2022

      Estonian Concert in 2022. The year 2022 was post-COVID-19 pandemic and a year with a very turbulent foreign policy and macroeconomic environment. The economic a
      ssb.ee
      Estonian Concert in 2022. The year 2022 was post-COVID-19 pandemic and a year with a very turbulent foreign policy and macroeconomic environment. The economic activities of the Estonian Concert were significantly influenced by the cultural consumption that was still seeking stability after the corona crisis and was strongly fluctuating, the war in Russia against Ukraine and an extremely unstable, hyperinflationary macroeconomic environment. Until mid-2022, the market for cultural events was noticeably declining after two epidemic years, the purchasing behavior of the audience was influenced

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