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      EESTI KONTSERT SA

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      Projekti lühikirjeldus: Vajame Saaremeaa Ooperipäevade esinejate majutamiseks perioodil 13-27 juuli 2026 - 10 tuba; perioodil 17-26 juuli 2026 lisaks - 90 tuba,

      EESTI KONTSERT SA: Hankekutse „Saaremaa Ooperipäevad esinejate majutamise leping 2026 ja 2027 aastal.“

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      Andmerobot
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      Projekti lühikirjeldus: Vajame Saaremeaa Ooperipäevade esinejate majutamiseks perioodil 13-27 juuli 2026 - 10 tuba; perioodil 17-26 juuli 2026 lisaks - 90 tuba, Ning perioodil 12-27 juuli 2027 - 10 tuba; perioodil 16-25 juuli 2027 lisaks - 90 tuba. Toad kasutatakse twin tubadena. Toad peavad olema koos hommikusöögiga ja kõik toad peab olema võimlik teha twin tubadeks.
      Valdkond: Hotelli majutusteenused

      Eeldatav maksumus: PUUDUB

      Projekti tellija: EESTI KONTSERT SA
      Vastutav isik: Kertu Orro
      Tüüp: A
      Hanke väljakuulutamise kuupäev: 26.08.2025

      Pakkumiste esitamise tähtpäev: 24.10.2025 kell 12.00
      Projekti täitmise kuupäevade vahemik: 13.07.2026 - 25.07.2027

      Kontaktisik: Kertu Orro


      Täpsemat teavet on võimalik saada aadressil:

      https://riigihanked.riik.ee/rhr-web/#/procurement/9235124/general-info

      Pakkumused või osalemistaotlused saata:

      https://riigihanked.riik.ee/rhr-web/#/procurement/9235124/tenders

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      EESTI KONTSERT SA / Andmerobot

      EESTI KONTSERT SA's activity report 2022

      Estonian Concert in 2022. The year 2022 was post-COVID-19 pandemic and a year with a very turbulent foreign policy and macroeconomic environment. The economic a
      ssb.ee
      Estonian Concert in 2022. The year 2022 was post-COVID-19 pandemic and a year with a very turbulent foreign policy and macroeconomic environment. The economic activities of the Estonian Concert were significantly influenced by the cultural consumption that was still seeking stability after the corona crisis and was strongly fluctuating, the war in Russia against Ukraine and an extremely unstable, hyperinflationary macroeconomic environment. Until mid-2022, the market for cultural events was noticeably declining after two epidemic years, the purchasing behavior of the audience was influenced

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